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Thursday, November 26th, 2009
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CE 71- War rages in the Earth’s sphere between the Earth Alliance and ZAFT. Away from the conflict, student Kira Yamato and his friends lead normal lifes like any other citizen in the seemingly neutral Heliopolis colony. But this peace is shattered when ZAFT launches an attack to remove five fresh mobile suits which have been developed for the Alliance within the colony, unknown to the citizens. Fate sees Kira as the pilot as the last remaining prototype, a weapon known as ‘G.U.N.D.A.M.’…

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It’s been nearly a year since Bandai began the US DVD release of the common Gundam SEED series. Whilst that series has now ended and hype builds for a similar release of the sequel series Gundam SEED Destiny, Bandai are filling the gap by releasing the SEED Special Edition trilogy. A fitting decision, as they served worthy the same role in their homeland.

The packaging is a standard DVD case with the sleeve being printed on nice holographic paper. The front hide art depicts Kira, Lacus and the Strike whilst the benefit explains the basic spot and lists the staff. There is no insert included inside the case.

The menu opens with Strike’s begin sequence which is intercut with scenes from the ‘movie’. The main menu centers a portray of Launcher Strike posing with the Agni cannon whilst in the upper left hand corner zoomed in and used clips play. Going to another menu sees the ‘Gundam SEED’ logo possess the camouflage and gradually move out. The ‘Special Features’ is nothing more than three Bandai trailers. Disapointing but expected for a release like this, especially after how far Bandai seemed to have to arrive for extras for the SEED series DVDs.

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The SE’s are a series of movie-like retellings of the SEED tale, with some elements removed or changed and at some points completly unusual footage. This first one covers from the commence of the series up to Kira’s fight with Andrew. From the accept go, it’s clear to anyone who has seen this narrative in it’s modern obtain that you’re witnessing a distinguished more sped up capture on the tale. What took two 22-minute episodes of the series has already been zoomed through by the 15 little brand of this special alone. Alot of the speeding seems to be a result of the director being fervent to glean to the next action scene. Having seen the series I knew what was missing so I could link things up but perhaps that’s a terrible thing as those are recent to the myth may be left scratching their heads. One of the biggest losses is the focus on Kira and Athrun’s friends. Kira and Athrun receive alot of attention whilst the likes of Miriallia and Sai only appear during scenes on the bridge. Since Kira states his reason for sticking with the Archangel is to protect his friends, the decision to lop their scenes is peculiar. In the present they gave him encourage, whilst here they often reach off as untrusting. Likewise, Yzak, Nichol and Dearka do so microscopic you almost wonder why they’re there. Alot of their scenes early on were “monster of the week”-like battles, an element the MSG compilations likewise carve. Whilst cutting help some of the battles makes sense, it leaves Athrun’s friends with exiguous impact on the narrative and makes Kira’s SEED Mode seem strange, as he awakens it in his third or so battle here rather than after a grand amount of battles.

The current footage for the most fraction is basically broken-down to tighten up scenes for the lack of time but there are some which are intelligent. For example, when Lacus enters the Archangel cafeteria in the series we witness it from Kira and friends point of concept whilst here it is presented from Lacus’ point of opinion. Undoubtedly the most talked about and possibly contraversial novel scenes is a more graphic representation of Kira and Flay having birth control. The expose received flack from Japanese parents for a subtle scene which implied this, so perhaps the novel footage could be taken as Fukuda mocking such critics. Whilst the scenes aren’t too graphic, they’re likely to cause unease amongst some and parents buying this for younger children may want to deem it over.

Of the battles that remain, Kira’s first fight in the desert is critical because it contains an appearance by TM Revolution’s ‘ZIPS’ as an insert song. Whilst a ample insert song is always nice alongside a favorable battle, I feel the song doesn’t quite work. It’s quickly and punchy whilst most of the battle is Kira getting knocked around or falling over. Whilst it may fit given Kira’s current savage intensity after sleeping with Flay, I personally more enjoyed the gathering of clips of Kira’s various battles which was played to ‘Meteor’ in one of the series clip shows.

Does this special edition have problems? Certainly. Can I say it’s a complete washout? Certainly not. There have certainly been worse DVDs and compilation movies then this. Returning SEED fans may relish it and it could be a rapid diagram to introduce novel potential fans, though obvious famous elements will be lost. Consume it shining you’re getting an extended and more coherent clip display with some modern stuff for your grief and you should be attractive.

For those of you reading who may not be familiar with what this film is, it’s essentially a condensed earn of the Gundam SEED television series, created, from what I understand, to enjoy interest in the series in Japan while Sunrise began work on the sequel, Gundam SEED Destiny. This is not a terribly unusual practice in anime in general or in the Gundam franchise in particular, as at least two or three other Gundam series have received similar treatment for various reasons.

Going into this movie, I expected something similar to the Mobile Suit Gundam movies, which were also condensed versions of the series by the same name. However, while those films attempted to explain a distinct chronicle which could be enjoyed without the wait on of the recent version (even altering positive aspects to display a current pick on the fable), the first SEED movie is microscopic more than a expeditiously recap to refresh the memory of already existing SEED fans. A couple of unique scenes are added to entice viewers, probably the most celebrated of which being the recent footage of Rusty, the much-lamented but never seen fifth member of the Le Creuset team who dies in the first episode. Some of the early scenes have also been reanimated to give a glossier peep to the whole production. Personally, I don’t care for some of the novel animation. I consider it almost makes the characters watch like dreary dolls, destroying the emotion drawn into their faces in the new animation. In any case, while this unique material is keen, at least, it doesn’t execute up for what the movie lacks. The first film clocks in at about an hour and half or so, squeezing an grand amount of information into those 90-odd minutes. The entire epic arc from the beginning to Kira’s final confrontation with Andrew Waltfeld is all covered here. To give an example of how remarkable condensing this is, deem this: most episodes of SEED are about 21-22 minutes, not counting the raze credits. This movie encompasses the first 21 episodes of the series. The entire first episode is covered in the first 8 minutes of the movie. The movie loses a lot of character development, cutting some of the side characters, such as Kira’s classmates, almost entirely from the chronicle. We also lose great of Mu La Flaga’s first battle with Rau Le Creuset, which is a actual shame, in my thought, since I opinion it was one of the most stand-out elements of the early fragment of the series. Since so great of the series is covered here, hopefully that will mean that the second and third movies will feel a runt less rushed.

The film also suffers from some sloppy editing. There are several instances where characters fabricate references to events or conversations that were sever from the movie, and a number of well-known sequences are either carve or edited in a confusing manner. The introductory scenes of several famous characters, most notably Mu La Flaga and Flay Alster, are also reduce, so that the audience is left without any determined explanation of who these people are and what they’re doing when they finally do appear. The raze result is a memoir that is all but incoherent if you aren’t already at least passingly familiar with the series itself.

Finally, there’s the now cross birth control scene between Kira and Flay. While the series was inform to leave this as a wordless moment where Kira runs to the Strike to prepare for battle and we accumulate a brief shot of Flay lying in his bed, the movie version actually gives us a full-blown birth control sequence, disturbingly station to the tones of TM Revolution’s hyperactive “Zips” and interspersed with shots of Kira destroying Waltfeld’s attack helicopters in the desert. The scene could, in all honesty, almost be described as soft-core porn. While Kira and Flay are both covered throughout, we behold their motions resplendent clearly and the sound effects are gorgeous “thorough”, shall we say. While I certainly didn’t earn it offensive myself, I do obtain it rather pointless, and parents who may have bought this for their younger children, expecting train more along the lines of the series, may be in for a gross surprise. The series itself was resplendent positive about what the two had done, if one pays attention, but leaves at least a itsy-bitsy ambiguity, given that the reveal is aimed at teens (and young teens in particular, I have) .

For those of you out there who are, like me, completists, this movie could be worthwhile. If you’ve seen the SEED series in its entirety, the movie is a reasonably arresting refresher. If you haven’t seen it, though, you’re slip to be hopelessly lost and probably bored by the characters who are never explained enough to care about in this version.

One last thing: I understand that the third movie will own the five microscopic OVA showing what happens to the characters after the final episode of SEED (which, due to some sort of problems getting the material from Sunrise, were not included in the final DVD of the series), which may compose getting that movie worthwhile, even if you don’t conception on getting this one.
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