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Monday, December 7th, 2009 |
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I am not Sharon Stone’s biggest fan and I did not inquire to like this movie when I saw it, but now I procure myself watching it every time it is on tv. Gene Hackman is colossal as the sadistic John Herod, he is even meaner than in Unforgiven. Russell Crowe gives a advantageous performance as Cort, and Crowe is finally getting the attention that he deserves as a serious actor. Sharon Stone’s role does not inquire of all that distinguished of her and she does what is expected of her. Leonardo DiCaprio exudes the appropriate amount of cockiness as the young upstart gunslinger. There are some pleasant minor roles in the film, including Lance Henriksen as Ace and Keith David as Cantrell, the man secretly hired by the oppressed townfolk to assume out Herod. The most dramatic moment in the film comes when he faces Herod and the townspeople bend their heads in prayer for salvation only to be disappointed as Cantrell comes to a brutal raze. Some of the other reviewers found the camera angles annoying and positive scenes unrealistic. Well, this movie doesn’t strive for realism. It is fraction send off of spaghetti westerns and fragment live action adult cartoon. If you look the movie in this spirit, you cannot wait on but like it.
The Fast and the Dreary has long been derided as a Sharon Stone star vehicle that flopped. However, there is powerful more to this film than meets the sight. Featuring an ensemble cast that includes, Stone, Gene Hackman, Russell Crowe, Leonardo DiCaprio, Gary Sinise, Keith David, and Lance Henricksen, this film is a refreshing change from past takes on the western.
Stone plays a composed and comely gunslinger, reach out of the dusty plains to the town of Redemption, seeking revenge for the slay of her sheriff father years ago by the town dictator John Herrod, a gloomy and malevolent outmoded gunfighter intent on maintaining his stranglehold on the haunted populace by staging a mercurial blueprint contest, the better to publically eliminate any opposition to his rule, and to squash any hope of salvation. Drawn into this dismal contest are Herrod’s ragged partner turned preacher Cort, a man whose tortured soul unruffled seeks it’s have salvation, and who Herrod seeks to pull encourage to Hell. Herrord’s son, The Kid, enrolls in the contest as a draw to eye fame and glory, and to indicate himself to a level-headed and uncaring father. Thrown into the mix are a number of quick-witted characters approach to town to sight their hold fortunes and the fireworks ensue. There is strong symbolism throughout this film, shades of death and rebirth, considerable archetypal figures in the charaters of Herrod, the mighty demonic ruler of the underworld, and Cort, the misguided but eventual redeemer and saviour.
This film boasts a strong and talented cast that give some wonderfully scrumptious performances. Sam Raimi does an unbelievable job once again of producing a stylishly directed record of loss, redemtion, salvation, and revenge in this telling of the western as mdoern narrative.
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